I was once the proud owner of a black ARP 2600, the one with the alledgely infamous Moog filter, i did broke my piggie to get one and I had to go to the UK to buy it second-hand. It was love at first sight but I wouldn't say it was the amazing synth people think now it is (a great sfx machine tho) and all the producer of the first recording i ever made wanted was "bullets", the not-so-gloryfying syndrum type of sound that was to be found on many disco records of the time ( it was a cover version of Radioactivity with a band called Digital Dance).
I sold it to get a Yamaha CS-40 to go on tour as synth player for Fad Gadget. I did later have a Korg MS20, a Roland 100 (the central part), a Roland Jupiter 4, a Sequential Circuit Sixtrak, well, i had a few. My learnings and first contact was with an EMS AKS so i think i have a rather good upbringing and experience of synths. But i was a rather poor "musician" and had to sell them to get to the next one. Of course I would love to have keep them altho the Sixtrak was really boring and the CS40 weighting a ton.
But a few decades later, people seem to have forgotten how one-minded these synths really were. How their...