26 Jul
Published by jean-marc,
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General
artists, record labels

It's no secret Dave Gahan has been playing live a few days ago in Los Angeles with Soulsavers (very short video: http://youtu.be/DlboBmp-KRw). He also appears on their album.

What's more intruiging is the interview he gave to Clashmusic about Depeche Mode being inbetween record companies, or maybe even between record companies and...no record companies ? This rumour has been running for quite a few years tho (read Side Line link below).

When asked about it, Dave has had the most interesting answer, stating that Depeche are not signed to anyone, that Daniel Miller would love to have Depeche with Mute again, that Depeche is currently recording at Martin Gore's place in LA and they are working to find a way to do it with Daniel (and therefore Mute) adding to that they are their own executive producers. And speaking of producers, Dave Gahan hinted that Martin Gore might be the producer, assisted by Ben Hiller.

Now, Depeche Mode is a group of considerable size and they can very probably fill up arenas despite the decline in music sales and the credit crunch (the crisis is so bad that certain keyboard manufacturers have...

17 Apr
Published by jean-marc,
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General
music marketing, record labels

Universal has acquired EMI recordings a few months back but the EU hasn't yet declare the sale to be holy in its books.

On March 23rd 2012, the EU has announced it launches an official investigation in the sale of EMI recordings to giant major Universal by CitiGroup. The EU has apparently some very serious questions on the quasi-monopole position Universal would find itself in if the sale gets approval: Universal would then be about twice the size of its nearest rival and that would seriously cause competition problems on the market as the EU wants to ensure consumers will still have choice with large offer of music whether in physical or digital formats.

A few days ago, Martin Mills (he of Beggars and 4AD famous label) spoke to CMU and talked about the multiple dangers of having a market being dominated by one huge company: that would be a problem not only in the physical market (shelves in shops and magazine front covers would be under serious pressure to feature Universal artists first) but that would also suffocate the offers and sustainability from other labels. Another point made by Mr Mills would be that, if pop artists would benefit from being signed on...

06 Apr
Published by jean-marc,
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General
artists, record labels

Mute is an extraordinary label I can't help falling in love with again and again.

After spending my youth dancing to the sounds of Depeche Mode or Fad Gadget, after questioning Daniel Miller's sanity when he signed Nick Cave And The Bad Seeds on a label previously only dedicated to the Love of Synths (and soon realizing he was right, of course), after seeing Mute fall into the arms of EMI but successfully bouncing back to independence again, this exoskeletal ear and heart of Daniel has recently seen new crops emerging and these are true discoveries and brilliant artists. And, once again, Mute cuts all codes by signing amazing people who make amazing music you wouldn't think could fit in with Mute because they don't correspond to the old electronic label image. But they do because... they are extraordinary artists on an extraordinary label.

Beth Jean Houghton is "just" that.

She started playing guitar relatively late, around 16, and her first musical offerings were very folk indeed and somehow that tag follows her, but the latest album from Beth Jeans Houghton And The Hooves Of Destiny “Yours Truly, Cellophane Nose" is definitely not folk, nor innocent or...

19 Mar
Published by jean-marc,
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artists, music industry, record labels

The illustrious Temptations and its 13 plaintive lawyers are sueing Universal Music Group for allegedly having being cheated out of revenues coming from digital downloads, and we're not talking small dimes here as this lawsuit, if lost by UMG, could mean millions of dollars having to be paid to artists such as Nirvana, Eric Clapton, Kiss, The Police, The Who, etc...

What's the grunge ? The use of the words "licences" and "sales". See, in a 1993 Universal contract, it says UMG would pay The Temptations around 16 % percent of revenues coming from "sales" when they would pay 50 percent from "licences" revenues. And UMG seems to consider that digital downloads and ringtones are sales, and not licences. We're talking a big, large, very large amount of money: UMG would have to pay The Temptations about 3 times more what they've been paying them so far, and we're talking more or less about 17 years of digital sales, aren't we ?

So, in what is going to be a trial to remember, we'll see lawyers from both sides arguing that digital sales are or are not licenced products. And no doubt The Temptations' lawyers will call Steve Jobs' ghost at the hearing as he wrote a...

19 Jul
Published by jean-marc,
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General
marketing, music industry, promotion, record labels

There's no doubt about how big is the crisis in the music industry. And that goes well beyond the simple "hey, it's all down to piracy" because, frankly, that excuse is getting old but we all know that.
Too many artists ? Blame it on the usability and affordable prices of cool hardware and softwares but it's a great time for audio (and visuals) creators.
Not enough labels willing to invest money in developing artists ? Sure, there are cold feets but numbers don't lie (if you can get them)
Not enough creativity coming from the composers and re-spicing of old formulas for bands ?
Not enought ways to get the money you've earned in this business ? (altho Kollector has a clear idea about that precise point)
Too many other areas people can get entertained with ?(mobile phones, Ipads, videogames, movies,...)

The list is endless, and it's a topic one cannot hope to close in a simple blog post, but here's an interesting angle from Frank Woodworth on how to set up a record company that will
take full advantage of this time and age.

...