31 Aug
Published by jean-marc,
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General
music history

Dancing has always been part of popular music and it seems the Olders were always afraid of these legs that move mysteriously in rythm and were blasphematory...This is surely because they had forgotten music and dance were primarely executed to praise the Gods way back when even vinyl didn't exist and piracy wasn't yet on the agenda of the Homo Sapiens.

But Rock and popular music has always been flirting with the edges of what the mainstream thought was "just too much": Elvis' pelvis wasn't shown on TV when performing in his early days, The Stones and The Doors were asked to change the lyrics of songs on live TV, Kylie Minogue had a global hit teaming with a steaming video (Can't Get You Out Of My Head), Madonna has based most of her career on sexuality and very recently the world was on fire when told that Lady Gaga was singing in studio naked. People seem surprised altho we're living in a society which has become over sexualized. And the more we've moved from the sixties, the more sex has been involved in lyrics and the videos have become raunchier and more explicit as the years were passing by.

But despite being flashed every two minutes by sexy adverts or...

30 Aug
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hits, music, music history

Is pop music going slower and more sad by the minute ? Seems like it according to two behaviorists Phd from Canada !

Dr. Schellenberg and Dr von Scheve have analyzed more than a thousand US popular music hits from 1965 till 2009, looking at tempo and mode (major or minor, determined by the tonic/main chord of the song). Most of pop songs used to be in fast mode and major chord but there has been a steadily increase (they have doubled in fact) in hits being slow tempo with minor chord (usually a sad song). Plus there has been a strong increase in songs that are "emotionally ambiguous": fast tempo song in minor mode.

Not surprisingly, lyrics have taken the same way: there has been a decrease in references to social interactions and positive emotions and an increase on angry and antisocial wording! I guess, if you start scanning songs in the sixties, you'll have a good quota of social references and even politically charged songs and going thru the seventies lyrics start to be more centered on mindless fun; the eighties are quite a sad era lyric wise, the Nineties is a hymn to hedonism and since the 2000 lyrics are most often than not repeated sentences hammered...

29 Aug
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hits, music business, music industry

Well, it used to be quite simple: the ones with the big bucks could easily plan out who will have a hit during the summer, put together a well-crafted media plan showing to all involved how much the Mega Company believes in the artist and the specific song and, after many, many remixes to be sure the song is no turkey, that the video was appealing and radio programmers reacted well to the song, there were little doubts the artist could indeed have a hit. That, of course, depending on how the other bands and labels would do (better songs, better media plans and partners, better videos, higher ranking radio programmers, etc...).

Now ? Damn, the internet has again change all the rules :)

Take three of the latest big hits: Fun's We Are Young, Gotye's Somebody To Know and Carla Rae Jepsen's Call Me Maybe didn't started that way at all: it was more like a gigantic rumble, growing and growing that went viral on Twitter and Youtube and everybody got to send that link over and over again. There, no carefully media plan, just a good song, a good video and that magical ingredient no one knows which makes a hit or a miss...But basically, it's all about expanding from your...

28 Aug
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artists

Are we so biased and buried under the massive bulk of informations available on the net that we're doomed to short-circuit it to its most common denominator, I name the lolcat ?

Fortunately, not everyone has lost it and LapTop Rocker Jason Forrest and wizz-kid Greg Sadetsky had a brilliant idea they quickly launched back in january 2011: Network Awesome was born.

The basic idea was to go thru Youtube immense's richness and come up with programs curated by people-in-the-known. No more complicated yet stupid algorithms coming up with recommandations that sound like they were made by 6 years old kids: you have real people proposing you hours of TV programs dedicated to well-developed themes ranging from weird East European 1970 animations to blackexploitation movies, Brian Eno in his early days, wild TV programs or zombies. All this is at the same time explained and replaced in an historical context with articles and comments, making this a very contemporary museum you can visit at your will.

These TV programs, hosted by Youtube but played on the Network Awesome page, are seeing 6 different programs a day and the archives are available for you to browse and...

27 Aug
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artists, movie soundtrack

Nick Cave is a very busy man....Since doing the Birthday party back in the days when piracy meant you liked Adam And The Ants, he has made The Bad Seeds an essential pivotal rock of indie music, had a worldwide hit with Kylie Minogue in real Serge Gainsbourg style, wrote a couple of books, made some cool movie soundtracks with fellow Bad Seeds member Warren Ellis, he's also now pondering whether or not he'll become a scriptwriter outside of his third collaboration with Jonah Hillcoat, movie director...

"Lawless" is a violent and corrosive movie about prohibition, a virile gangster film which cuts deep into the myth surrounding prohibition and the glittery image we have from this era.

Nick Cave took some time off from his busy 9 to 5 schedule (he insists to have working hours, a good way of discipline artists' wondering hours if i may say so) to answer The Guardian in an interesting interview putting this new line of creation under the spotlight and telling the readers more about the story and the process behind Lawless, including some funny anecdotes on the movie score he performed with the impromptu band put together for the occasion: The Bootleggers.

Now...

20 Aug
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music industry, youtube

A new study released by Nielsen on consumers interaction with music in the United States shows some pretty interesting data...

...one of them is that 64% of teens listen primarly to music through Youtube rather that on radios (56%) or Itunes (53%) showing if still needed that price matters especially that only 50% will listen to music from a CD. But old media still have some power as RADIOS are still the number one source for discovering music (48% discover new music with radio, 10% thru friends and only 7% thru Youtube).

Friends have still a saying in 2012 as a positive recommandation from them will see a purchase, 25% or buying will echo from a music blog/chat room and only 12% will come from an endorsement from a band. Hmm; someone is doubting bands have good taste ?

Price, more than ever, is a concern as 63% think a digital album is good value (round 10 €) while only 55% think the same of a physical one ( round 15€) and instant buy laughs at the long tail as 33% of teens buy a track within one week of its release where only 21% of 18+ will do the same.

So, to make a quick résumé, here are a feew tips to bands: post your music on Youtube, lower...

13 Aug
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music industry

These are exhilirating times for copyrights and internet and we're seeing moves that may seem like frogleaps or giant moves depending on who's looking and where (Kit Dotcom's arrest and liberation, Spotify in the US, ICloud 'legalization' of whatever music is on your hard-disk for 25$ a month - from which 70% goes to the record companies and publishers while Apple retain 30%, etc...) but the following is certainly important: Switzerland is moving closer to Global Licence as Federal Swiss Dept of Justice has given up to the end of 2013 to the concerned sources to find a consensus.

Over copyright on the internet, you have several attitudes: you can storm in the residency of the CEOs of companies hosting illegal (and legal) content and find weeks later that judges will free them anyway as the matter is highly volatile and can see many interpretations (one of them being the company hosting the content merely provides a way to stock things but doesn't really inbreach the laws just like you can buy a car that will propel you at illegal speeds but the car manufacturer is not liable if you do so). You can also put together hard laws like French Hadopi which punish illegal...

03 Aug
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music business, videogames

While sales of music is experimenting sharp downhill plunges for the last ten years or so, the videogames industry is more alive than ever, and thanx to tens of millions across the globe, top hits (especially violent First Person Shooter) keep on smashing sales records after sales records, making the movie industry look like amateurs and the music one like the poor parent.

"Call Of Duty: Black Ops" (which has voices of great actors like Gary Oldman or Ed Harris) is one of these uber-violent FPS (you can actually turn down the blood splatches and the profanity. In certains countries, dismembering is even forbidden or only available as an option. Yummy...)
Furthermore, Call of Duty uses music from the Rolling Stones (Gimme Shelter, a perfect song for an FPS...) and you would believe this has boost sales of the game ? Wrong way: it's Gimme Shelter the album that has enjoy sales in the wave of the game: nearly 20.000 albums were sold within the month...Other numbers that gives music exec' nightmares ? Callf Of Duty sold 5,6 MILLIONS copies the day of its release, making it the biggest lauch of ALL entertainement industry (music-movies-games) ever and earned the game...

02 Aug
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music history

Mojo, the influential UK music magazine, has teamed up with Electrospective to get some key people inside Abbey Road studios to answer a few questions about electronic music.

Each panelist had to answer a simple yet essential questions:

Daniel Miller Big Honcho of Mute Records explains how Depeche Mode broke on the US market and why it's still quite a mystery
Martyn Ware from The Human League/Heaven 17: How was it to make electronic music in the early days ?
The amazing sound alchemist Matthew Herbert explains how DJ culture impacted with electronic music
Bill Brewster, the author: what about Futurism ?

Other panelists include Andy McCluskey from Orchestral Manoeuvres In The Dark, Trevor Jackson and Mark Jones.

It's very interesting to hear and see how things that are now casted in concrete and seem obvious weren't back then: Human League had decided (and wrote it down to be sure it wouldn't be broken) of a few rules like: NEVER USE A GUITAR and they had a list of words they couldn't use, like...LOVE :)

Very interesting indeed, and rather moving too: here we can see why music is so deeply connected to the people doing it...

01 Aug
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music industry

We all know by now that the Universal-EMI merger was initially rejected by the EC as it would have mean UMG would be worth about 40% of all recorded music in the world, a quasi-monopole.

So, the EC and Universal worked together and they came out with something that would push the EC to OK the merge: Universal would disinvest some of the EMI acquisition and offer first option to the Indie labels would them want to buy it. The package would consists on quite a few acquisitions of EMI along the years, Mute, Virgin, Parlophone and Chrysalis being among other less known labels (read the nearly full list on http://blog.kollector.com/blog/more-about-universal-divestment). The urgence of the situation is dramatic as UMG has to pay several billion € to CitiGroup by mid-september.

Several labels Supremo immediately reacted postively to the offer: Richard Branson (Virgin), Daniel Miller (Mute), Kenny Gates (Pias), etc...while Martin Mills (from Beggars fame) thinks UMG is missing a point and should actually offer the indie artists the opportunity to buy back their own work: "If there is any...